Deniz Hellberg is the artistic director of Teater Triptyk, and he's an established pedagogue and teacher in creative writing at Göteborg University. He is also a researcher of the Middle East - its culture and religion. Deniz Hellberg gives workshops/performances, focusing on basic drama training and his own special method, Theatre of the Hidden Language. He provides workshops, where the final is an open performance, based of the participants training of the workshop  The workshop will function as a rehearsal, the participant will herefore work practical to the end: a performance for a small audience.

The Basic workshop

Beginner
This course is ideal for those who want to improve their presentation skills, deal with shyness, rediscover their creative side, or learn the fundamentals of acting technique. Focusing on movement and voice exercises, and improvisation, this very physical course, de-emphasizes the "script" and emphasizes what the performer brings to the script.  This personalizing of the work is the foundation of all future creative work.

Level One
Building on the foundation of the Beginner Level courses, or previous training, the Level 1 course focuses on Advanced Improvisation, Establishing Present Tense with an Acting Partner, the Fundamentals of Text Work, and Scene and Monologue Study. Obviously this is a great deal to cover in a ten-week session, so the class is structured with the expectation of needing the entire year to get through all the material. This is a challenging class for students who are very interested in the acting process.

Level Two
For the very experienced student actor, this course builds upon the foundation of the previous two levels, dealing with Audition Monologues, Methods of Rehearsal, and focusing very specifically on the acting issues of the students. This is a flexible program, which can be adapted to meet the interests and needs of the students involved. Students in this course will be expected to make time to rehearse with scene partners outside of class.

Mr Hellberg in work 2005.

Level Three, Masterclass

Working with the elements of The theatre of the Hidden Language:

The murder/violence: The use of “violence” in creative thinking.
The stupid/and the children: How to avoid the adult, cynic point of view.
The weak: How to look at the world of the broken people.
The theatre of film: The images on film, influence the stage performance.
The silent: To find the hidden langue, in the silence between people.
The contrapunkt: Text interpretation as music.
The life drama: The drama on the street.
Mask and ritual: Theatre as cult for the gods.
The mystic: Tasawwuf influence on stageart.
The mechanic movement: The actors as mechanic and static elements.
The memory: Drama about the loss of memory.

For more information, availibility, pricing, etc:
info@teatertriptyk.se